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“ More Than Twee: Pajama Pop with Lullatone Once a week on a local television channel in Nagoya, Japan, viewers can catch a short segment in which a lanky white American guy teaches kids how to make instruments from household objects — in...
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More Than Twee: Pajama Pop with Lullatone

Once a week on a local television channel in Nagoya, Japan, viewers can catch a short segment in which a lanky white American guy teaches kids how to make instruments from household objects — in fluent Japanese. The DIY instruments range from rubber-band guitars to cardboard drums and a xylophone made from a paper roll.

The host of this unique little production is Lullatone — a husband-wife musical duo (one part Japanese, one part American) who have pioneered a genre that Shawn James Seymour (the American half) calls “pajama pop” (not to be confused with “twee”). With a blend of lo-fi instrumentation, soft vocals (from wife Yoshimi Tomida), and simple (like really simple) lyrics — Lullatone’s songs range from “Growing Up” to “Going to Buy Some Strawberries” — Lullatone has emerged as a critical voice in commercial sound design. They’re also just about the cutest band on the face of the planet. James fills us in on their easy mystique.

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One year ago, journalist Jose Antonio Vargas revealed to the world that he was an undocumented immigrant — building his entire career, which included time at The Washington Post and The Huffington Post, on a lie. Vargas looks back at the past year in an interview with BuzzFeed, where he considers the weirdness of becoming an activist, his friends lost (many in the news industry), and his friends gained (Mark Zuckerberg, Aaron Sorkin). Great piece.

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